When Love Calls

_When Love Calls_

We can’t see, smell, touch, or even hear it.

But we knew when it comes.

The mystery behind our six senses about it,When love calls.

The world would be blue without it.

This heart hurts so badly when we lost it.

A sweet line comes out of our lipWhen love calls.

Right or wrong, don’t matter.

Near, far, don’t careLaugh when he laughs, cry when he criesWhen love calls.

Sometimes hurt, sometimes beautiful.

Worrying nothing, it made us.

My heart beat going faster and faster, my cheeks rosyWhen you hold me tight, when you care about meWhen love calls.

Everything I want to say to you

Is wrapped around in my mouth

Come into my door don’t be afraid

I’ll catch you back around your head

I can’t say anything

And bring you something

say
love if you love

love is beatifull
give flower

Don't forget it

I love you more than I can say

When love come to you

What think about it ?

If you love someone

Don’t forget

To say

I LovE yoU

Love come to you without you know

Love is very beautiful

Because love

Give to you life in beautiful

Because of you my life’s have change

Thank you for the love

I love you more than I can say

Why won’t you just believe?

Where are you ?

And I’m so sorry

I can’t sleep

I can’t dream tonight

I need somebody and always

This sick,strange darkness

Comes creeping on so haunting every time

And as I started I counted

The webs from all the spiders

Catching things and eating their insides

Like indecision to call you
And hear your voice of treason

Will you come home

And stop this pain tonight?

Stop this pain tonight

Don’t waste your time on me

You’re already the voice inside my head

I miss you

Don’t waste your time on me

You’re already the voice inside my head

I miss you

I love you more than I can say

I LOVE YOU

AND

I MISS YOU

DON’T FORGET

LOVE LOVE LOVE

rOck n' rOLL

rOck n' rOLL is my music.
I LikE rOck n' rOLL
I LovE rOck n'rOLL
keEp rOck n' rOLL

FOr yOu....rock n' roll is the best for music.I wisp rOck n' rOLL will always successful.
rOck n' rOLL is a type of music. It shook things up in the 1950s and 1960s. Many musical styles from around the world contributed to this new sound. Along with the African American influence, rock 'n roll also drew on the lyrical melodies of recent European immigrants and the country and western music of Texans.

First, the music became popular in small clubs and on the radio. Later, with the introduction of programs such as American Bandstand, teenagers could watch their favorite bands on television. Not everyone was excited about this music. Many parents didn't like the suggestive dancing, naughty lyrics, and loud, fast beat.

Harder rOck n' rOLL is a musical genre whose 'golden age' is usually recognized as the decades of the 1950's and 1960's. This musical form had its beginnings in the blues tunes, gospel music, and jazz-influenced vocal music that became popular among African-American audiences after World War II. A new kind of blues, it featured electrically amplified guitars, harmonicas, and drummers that emphasized afterbeats.

At the same time, black gospel music grew in popularity. These forms of black popular music were given the label rhythm and blues (R and B) and were played on big-city radio stations. Radio spread this music's appeal from black communities to towns throughout all of the United States. By the mid-1950's such performers as Little Richard, Joe Turner, and Chuck Berry were becoming popular with white audiences. Radio disc jockeys began calling their music rock n roll.
In 1956 Little Richard performed a lot of hits, all built on his principles of feverish and clownish aggressiveness: Long Tall Sally (The first of his heroines: "she`s built for speed/ she`s got anything uncle John needs"), a frenzy syncopated rhythm and blues in the limits of his vocal possibility, Bumps Blackwell's Rip It Up (the closest song to gospel, spelled by claps in a very speedy rhythm, with also guitar and winds) and the ironical The Girl Can’t Help It (soundtrack of his first movie).
The following year, his sound got even naughtier, and every songs entered the charts soft as hurricanes: Lucille, an anthropophagic boogie as well as one of his most epileptic performances; Jenny Jenny, hallucinated as well, with the best non-sense lyrics of the period, and Keep A Knocking (based on a LOuis Jordan hit that was based on an old hit of the 1920s), wherein his ferocious singing had apparently the same rhythm of percussions, winds and guitars (its drums introduction will soon become a rock standard).

Bumps Blackwell's Good Golly Miss Molly (1958) was his swan song, or rather shout. Here’s Little Richard (1957) was his first album, and included a lot of hits.

LovE rOck n' rOLL